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Pierre Renoir
French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..

 

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Pierre Renoir Richard Wagner oil painting

Painting ID::  30113

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Pierre Renoir
Richard Wagner
mk64 1882 Oil on canvas 52x45cm Paris,Musee d'Orsay
   
   
     

 

 

Pierre Renoir Paul Berard oil painting

Painting ID::  30114

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Pierre Renoir
Paul Berard
mk64 1880 Oil on canvas 50x40cm
   
   
     

 

 

Pierre Renoir Madame Paul Berard oil painting

Painting ID::  30115

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Pierre Renoir
Madame Paul Berard
mk64 c.1879 Oil on canvas 80x65cm Paris,Musee d'Orsay
   
   
     

 

 

Pierre Renoir Albert Cahen d'Anvers oil painting

Painting ID::  30116

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Pierre Renoir
Albert Cahen d'Anvers
mk64 a rich banker and patton of Renoir 1881 Oil on canvas 79.8x63.7cm
   
   
     

 

 

Pierre Renoir Charles and Georges Durand-Ruel oil painting

Painting ID::  30117

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Pierre Renoir
Charles and Georges Durand-Ruel
mk64 1882 Oil on canvas 65x81cm Paris
   
   
     

 

 

Pierre Renoir Julie Manet oil painting

Painting ID::  30118

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Pierre Renoir
Julie Manet
mk64 1894 Oil on canvas
   
   
     

 

 

Pierre Renoir Christine Lerolle oil painting

Painting ID::  30119

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Pierre Renoir
Christine Lerolle
mk64 1897 Oil on canvas
   
   
     

 

 

Pierre Renoir Madame Charles Fray oil painting

Painting ID::  30120

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Pierre Renoir
Madame Charles Fray
mk64 1901 Oil on canvas 64.8x54cm
   
   
     

 

 

Pierre Renoir Pau Durand-Ruel oil painting

Painting ID::  30121

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Pierre Renoir
Pau Durand-Ruel
mk64 1910 Oil on canvas 65x54cm Paris,
   
   
     

 

 

Pierre Renoir Wilhelm Mublfeld oil painting

Painting ID::  30122

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Pierre Renoir
Wilhelm Mublfeld
mk64 1910 Oil on canvas 55x45.8cm Southampton
   
   
     

 

 

Pierre Renoir Madame Renoirand Bob oil painting

Painting ID::  30123

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Pierre Renoir
Madame Renoirand Bob
mk64 c.1910 Oil on canvas 81x65cm Hartford,Connecticut,
   
   
     

 

 

Pierre Renoir Self-Portrait oil painting

Painting ID::  30124

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Pierre Renoir
Self-Portrait
mk67 1910 Oil on canvas 45.7x38.1cm Paris
   
   
     

 

 

Pierre Renoir Ambrois Vollard oil painting

Painting ID::  30125

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Pierre Renoir
Ambrois Vollard
mk64 1908 Oil on canvas 81.6x65.2cm London,
   
   
     

 

 

Pierre Renoir Ambrois Vollard Dressed as a Toreador oil painting

Painting ID::  30126

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Pierre Renoir
Ambrois Vollard Dressed as a Toreador
mk64 1917 Oil on canvas 103x83cm Tokyo,Nippon Televistion Network
   
   
     

 

 

Pierre Renoir Sailor Boy oil painting

Painting ID::  30127

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Pierre Renoir
Sailor Boy
mk64 1883 Oil on canvas 130.2x80cm Merion,Pennsylvania,
   
   
     

 

 

Pierre Renoir Dance in the City oil painting

Painting ID::  30128

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Pierre Renoir
Dance in the City
mk64 1883 Oil on cnvas 180x90cm Pairs,Musee d'Orsay
   
   
     

 

 

Pierre Renoir Young Girl in a Straw Hat oil painting

Painting ID::  30129

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Pierre Renoir
Young Girl in a Straw Hat
mk64 1890 Oil on canvas 46x38cm
   
   
     

 

 

Pierre Renoir Young Girl with a Swan oil painting

Painting ID::  30130

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Pierre Renoir
Young Girl with a Swan
mk64 1886 Oil on canvas 76x62cm New York
   
   
     

 

 

Pierre Renoir The Harsh and The Pearly oil painting

Painting ID::  30131

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Pierre Renoir
The Harsh and The Pearly
mk64 1883-1897
   
   
     

 

 

Pierre Renoir Young Girls Reading oil painting

Painting ID::  30132

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Pierre Renoir
Young Girls Reading
mk64 c.1889 Oil on canvas 64x54cm
   
   
     

 

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Pierre Renoir
French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..